The concept of the “Preview Production” is unique in the American theatre. As a fully-realized production without the pressures of the commercial world, the play stays in previews through the run of the show, allowing the writer to continue revising as the piece evolves through performance. We started this program in 2005 and are proud to have supported so many great playwrights and plays on their journey from incubation to professional world premieres.
A Medusa Thread
May 16-25, 2022
After dying in a car accident, Essence Worthy steps into a purgatorial beauty shop to get one last hair do before transitioning to her chosen after life. There, she meets Medusa, the Gorgon, a hairstylist who specializes in treating former victims of sexual assault. While there, Essence must find her way through healing and transitioning from the history of rape that haunted her life.
The Creative Team
Playwright / CANDRICE JONES
Director / SHIRLEY JO FINNEY
Scenery / STEPHANIE KERLEY SCHWARTZ
Costumes / DANA WOODS
Lighting / DARREN MCCROOM
Projections / NICK SANTIAGO
Sound/Music / MARC ANTONIO PRITCHETT
Assistant Director / LOLA BARAK
Candrice Jones / Shirley Jo Finney
Stephanie Kerley Schwartz / Dana Woods
Darren McCroom / Nick Santiago
Marc Antonio Pritchett
DESIGN MEETINGS ARE UNDERWAY!
Although we're online once again, it won't be for long. This team works out of the box!
Top Row: Shirley Jo Finney / Dana Woods / Lola Barack
Middle Row: Stephanie Kerley Schwartz / Marc Antonio Pritchett / Nick Santiago
Darren McCroom / Candrice Jones
Masked but mighty!
(pictured from left: Shirley Jo Finney, Candrice Jones, Lola Barak, Darren McCroom, Dana Woods)
Candrice Jones is a playwright, poet, and educator from Dermott, Arkansas. In 2020, her play FLEX was scheduled to be produced at Actor's Theater of Louisville's Humana Festival of New Plays, but was cancelled due to COVID. Residencies 2018: The Ground Floor at Berkeley Rep (FLEX), 2019:Bay Area Playwrights Festival (FLEX). Additional credits: Jones received an M.F.A. in Critical Studies from California Institute of the Arts. She is a 2019 MacDowell Colony Fellow and is a current Many Voices Fellow at the Playwrights' Center in Minneapolis, MN. Currently, she is a Jerome Fellow at the Playwrights' Center in Minneapolis, MN. Most recently, she was given the honor of being named a 2020 Steinberg Playwright. Her primary goal is to write plays that serve as love letters to womyn of the American South.
Shirley Jo Finney is an award-winning international director of theater, television, and films. She has worn her director's hat in some of the most respected regional theater houses across the country including ENSEMBLE THEATRE in Houston, Texas, The McCarter Theatre, The Pasadena Playhouse, The Goodman Theater, the Alabama Shakespeare Festival, The Cleveland Playhouse, The Fountain Theater, LA Theater Works, The Crossroads Theater Company, Actors Theater of Louisville Humana Festival, the Sundance Theater Workshop, The Mark Taper Forum, Kennedy Center for the Performing Arts, and the State Theater Opera House in Pretoria, South Africa. Most recently, Miss Finney presented an Online Streaming production of Emmett Till that was critically acclaimed for its directing and editing. She also directed and developed the critically acclaimed world premier of Citizen: An American Lyric by the award-winning Pen poet Claudia Rankin. The 2020 Zoom production was singled out in the New York Times. Other works include Facing Our Truth (The Trayvon Martin Project) at the Kirk Douglas Theatre, The Lark Foundation's Rolling Premier of The Road Weeps by Marcus gardley at The Los Angeles Theatre Center, Tarell Alvin McCraney's Brother/Sisters Plays at the Fountain Theater, Lisa B Thompson's Single Black Female at the Crossroads Theater, Dominique Morisseau's Detroit 67 at the Penumbra Theater. She also helmed the International All South Africa Opera Winnie, based on the life of political icon Winnie Mandela. Miss Finney is the recipient of th LA Drama Critic's Milton Katsleas Distinguished Career Award, the SDCF's 2017 Denham Fellowship award for her production of Run Away Home by Jeremy Kamps, The Los Stage Alliance Ovation Award, The Los Angeles Drama Critics Award, The NAACP, and the Santa Barbara Independent awards for her directing work.
Stephanie Kerley Schwartz is a Los Angeles based Scenic and Costume Designer. Previously with Shirley Jo Finney directing at the Fountain Theatre, she designed the set for Runaway Home. She is resident designer for Rogue Machine Theatre, where her designs include the world premiere of One Night in Miami by Kemp Powers, among many others. For Center Theatre Group/ The Mark Taper Forum she designed costumes for The Lieutenant of Inishmore, and Randy Newman’s Harps and Angels, and the set for Good Grief at The Kirk Douglas. Other theatres include: A Noise Within, Laguna Playhouse, Ford’s Theatre in Washington DC, Artist’s Repertory Theatre in Portland Oregon, Pasadena Playhouse, The Geffen Playhouse, South Coast Repertory, East West Players, Boston Court Pasadena, The Fountain, The Skylight, the Matrix Theatre and many others. Recipient of multiple awards and nominations, including the 2017 LADCC/Kinetic Award for Distinguished Achievement in Theatrical Design. www.kerleydesign.com
Dana Rebecca Woods (Costume Designer) has spent her career involved in the design and craft of costumes in the entertainment industry designing costumes for regional theaters, television, and film. Dana’s theater designs include Intimate Apparel at Orlando Shakes; Under Normal Circumstances and In the Red and Brown Water at UC Santa Barbara; Pipeline, directed by Ron Parson at the Alabama Shakespeare Festival and Ensemble Theater Cincinnati; NAACP award nominated The Color Purple, directed by Jeffrey Polk at the Greenway Court Theater; Blues in the Night at San Francisco’s Post Street Theater; Laguna Playhouse and the Wallis Annenberg Center; Shout Sister Shout, Stop Kiss, Above the Fold, Fences, and others for The Pasadena Playhouse; Jitney and Fences at South Coast Repertory. Her film & tv design work includes John Sayles’ Go For Sisters; The Line (The Mechanic); the telenovela Watch Over Me; and web series Ethnically Ambiguous. Dana’s time in academia includes teaching at UCF, UCLA, and guest speaker at LA Trade Tech College. She is a member of United Scenic Artists; Costume Designers Guild; Motion Picture Costumers and Co-Chair of the CDG Diversity Committee.
Mr. McCroom has been a lighting designer for more than thirty years. Some of his regional design credits include: Apollo Theater. The Oregon Shakespeare Festival, Alliance Theatre, Indiana Repertory Theatre, Syracuse Stage, Lincoln Center, Brooklyn Academy of Music (BAM) and Ford’s Theatre. International credits include works in: Rome, France, Teatro Unam, Mexico City, Mexico and South Korea. He is the recipient of the following awards and nominations: Falstaff Award for Throne of Blood by Ping Chong, Theatre Design and Technology (TD&T) award, 14th Annual Beverly Hills/Hollywood NAACP Theatre Award Nominee. Mr. McCroom is an alumnus of The University of Illinois Urbana-Champaign and teaches Lighting Design and Stage Management at Western Washington University in Bellingham, WA. photo credit: Shameem Rakha, PhD
Nicholas Santiago (Projection Designer) has worked for numerous universities and theatre companies around Los Angeles including the Pasadena Playhouse (Ham), Skylight Theatre (Forever House, Church & State, Obama Ology), Rogue Machine (A Permanent Image, Oppenheimer, Honky), USC (Trojan Women, On the Town), Theatre Planners (PEMDAS, The Red Dress L.O.V.E.R.), the Chance Theatre (Tribes, Middletown, Big Fish), The Road Theatre (Nowhere on the Border, A Delicate Ship), LA LGBT Center (The Search for Signs of Intelligent Life Revisited), and the Fountain Theatre (Arrival & Departure, The Cost of Living). He recently designed Cesar Millan's new one man show Unleashed that opened at the David Copperfield Theatre at the MGM in Las Vegas. He has received numerous award nominations including an Ovation nomination and a LA Drama Critic’s Circle award for his work on Rogue Machine’s A Permanent image and an ovation win for his work on The Fountain Theatre's production of The Cost of Living. www.nsantiagodesign.
Marc Antonio Pritchett is a working Actor, Director, Fight Coordinator and Session Singer in the Los Angeles area. He is also one of the Artistic Directors at Sacred Fools Theatre Company. Recent sound/music credits include The Mousetrap at Theatre Palisades, The Latrell Show at IAMA Theatre, Sweat at the Chance Theatre, An Octoroon and The Children at the Fountain Theatre. He is represented by Nucleus Talent Management. For additional info visit: www.marcantoniopritchett.com photo credit: Chris Marino
~ More Details to Come ~
A Medusa Thread title card
by Eris Estrella & Bub Bray